Freddie Mercury’s beloved piano, song drafts and hundreds of belongings on display before auction
LONDON — More than 1,400 of Freddie Mercury ‘s personal items, including his flamboyant stage costumes, handwritten drafts of “Bohemian Rhapsody” and the baby grand piano he used to compose Queen’s greatest hits, are going on display in a free exhibition at Sotheby’s London ahead of their sale.
The vast collection of the singer’s personal belongings, which had been left to Mercury’s close friend Mary Austin, had remained undisturbed in his west London mansion for 30 years since his death in 1991.
Austin, 72, said in a BBC interview in April that she has decided to sell almost all the items to “close this very special chapter in my life” and “put my affairs in order.”
Among the hundreds of Mercury’s personal treasures were previously unseen working drafts of hits “Don’t Stop Me Now,” “We Are the Champions” and “Somebody to Love.”
The handwritten draft of “Bohemian Rhapsody” — which shows that Mercury experimented with naming the song “Mongolian Rhapsody” before crossing it out — is expected to fetch 800,000 to 1.2 million pounds ($1 million to $1.5 million.)
“We have here working lyrics for pretty much every song that Freddie Mercury wrote through the 1970s,” said Gabriel Heaton, a specialist at the auction house. “We’ve got extensive working drafts that really showed how songs developed, how they changed, how they took shape in the most wonderful way.”
The star of the show, however, is Mercury’s beloved Yamaha baby grand piano, which is set to sell for 2 million to 3 million pounds ($2.5 million to $3.8 million). The piano survived several house moves, took center stage at his mansion, and was the heart of Mercury’s musical and personal story from 1975 until his death, auctioneers said Thursday.
“Of all the objects that he had, this is the one that meant the most to him,” Heaton said.
Many of the highlights conveyed Mercury’s love of theatre and showmanship. There were his dazzling sequinned, skin-tight catsuits, leather jackets and the lavish red cape and crown he wore on his last Queen performance in 1986, as well as his collection of Japanese silk kimonos.
Other items were more personal and intimate, including a school book with the singer’s name, Fred Bulsara, dating from the 1960s when he had just arrived in the U.K. with his family from Zanzibar.
