‘Oppenheimer’ dominates Oscar nominations, Gerwig passed over for best director

Cillian Murphy is seen in a scene from "Oppenheimer." (Universal Pictures/via AP)

Yorgos Lanthimos, from left, Emma Stone, Willem Dafoe, Mark Ruffalo, and Ramy Youssef pose with the award for best motion picture, musical or comedy for "Poor Things" in the press room at the 81st Golden Globe Awards on Sunday, Jan. 7, 2024, at the Beverly Hilton in Beverly Hills, Calif. (AP Photo/Chris Pizzello)

This image released by Apple TV+ shows, from left, JaNae Collins, Lily Gladstone, and Cara Jade Myers in a scene from "Killers of the Flower Moon." (Melinda Sue Gordon/Apple TV+ via AP)

This combination of images shows Margot Robbie in a scene from "Barbie," left, and Cillian Murphy in a scene from "Oppenheimer." (Warner Bros Pictures/Universal Pictures via AP)

NEW YORK — After a tumultuous movie year marked by strikes and work stoppages, the Academy Awards showered nominations Tuesday on Christopher Nolan’s blockbuster biopic, “Oppenheimer,” which came away with a leading 13 nominations.

Nolan’s three-hour opus, viewed as the best picture frontrunner, received nods for best picture and Nolan’s direction; acting nominations for Cillian Murphy, Robert Downey Jr. and Emily Blunt; and multiple honors for the sweeping craft of the J. Robert Oppenheimer drama.

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Though Nolan is regarded as the big-canvas auteur of his era, he’s never won an Academy Award — nor have any of his films won best picture. This, though, could be his year. Reflecting on the rarity of his film’s success — a lengthy drama dense with talk and the convulsions of history that nevertheless grossed nearly $1 billion — Nolan, in an interview Tuesday, called Oppenheimer “one of the great American stories.”

“I grew up loving Hollywood movies and believing studio filmmaking can take on anything,” said Nolan. “Seeing audiences respond to that this summer was incredibly thrilling and getting this kind of recognition from the academy, I don’t know what to say, really. It certainly confirms our faith in what studio filmmaking can be.”

The year’s biggest hit, “Barbie,” came away with a nominations haul slightly less than its partner in Barbenheimer mania.Greta Gerwig’s feminist comedy, with more than $1.4 billion in ticket sales, was nominated for eight awards, including best picture; Ryan Gosling for best supporting actor; and two best song candidates in “What Was I Made For” and “I’m Just Ken.”

Both Yorgos Lanthimos’ Frankenstein riff “Poor Things” and Martin Scorsese’s Osage epic “Killers of the Flower Moon” were also widely celebrated, with 11 and 10 nods apiece.

Lily Gladstone, star of “Killers of the Flower Moon,” became the first Native American nominated for best actress. For the 10th time, Scorsese was nominated for best director. Leonardo DiCaprio, though, was left out of best actor. The late Robbie Robertson, who died in August, also became the first Indigenous person nominated for best score.

“It happens to be that I’m carrying this honor right now (but) it’s all so long overdue,” Gladstone said by phone from Pawhuska, Oklahoma, where she traveled to be close to her character. “It’s a real moment of restoration, placing Indigenous talent in these roles, spotlighting their humanity, their their characters, just the way that all of the sisters exist on screen, I think is shattering a lot of stereotypes people have about Indigenous women, particularly Native American women.”

“Poor Things,” a dark Victorian era fantasy about Bella Baxter’s sexual awakening, received nominations for Lanthimos’ direction, Emma Stone’s leading performance, Mark Ruffalo’s supporting performance and widespread nods for the old-school craft of its fantastical design.

The 10 films nominated for best picture were: “Oppenheimer,” “Barbie,” “Poor Things,” “Killers of the Flower Moon,” “The Holdovers,” “Maestro,” “American Fiction,” “Past Lives,” “Anatomy of a Fall” and “The Zone of Interest.”

That group, which mirrored the Producers Guild Awards nominees, went much as expected and, as critics noted, a remarkably strong collection of films. For the first time, three of the best picture nominees were directed by women: “Past Lives” by Celine Song;”Anatomy of a Fall” by Justine Triet, also nominated for best director; and Gerwig’s “Barbie.”

But surprises abounded in other categories.

The best actor category had been seen one of the most competitive. In the end, the nominees were Murphy, Paul Giamatti (“The Holdovers”), Jeffrey Wright (“American Fiction”), Bradley Cooper (“Maestro”) and Colman Domingo (“Rustin”). Domingo’s nomination, for his performance as civil rights activist Bayard Rustin, made him just the second openly gay man to be nominated for playing a gay character, following Ian McKellen for the 1998 film “Gods and Monsters.”

“American Fiction,” Cord Jefferson’s insightful drama about a frustrated novelist, had an especially good day, collecting five nominations. That included a nod for Sterling K. Brown for best supporting actor. Robert De Niro (“Killers of the Flower Moon”) rounded out that category with Downey, Gosling and Ruffalo.

Best actress was also closely contested. Along with Gladstone and Stone, the nominees were Carey Mulligan (“Maestro”), Annette Bening (“Nyad”) and Sandra Hüller (“Anatomy of a Fall”). That left out Margot Robbie, the star of “Barbie,” and Fantasia Barrino from “The Color Purple.”

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